That’s not kind of where you started with the creation of, of the costumes and hesitant to call it cosplay. We’ve got a couple of steps between home life and work life here now, which is really weird.īrett Stanley: So, um, so speaking of the underwater stuff.
But if you’re basically going out of your office and into the living room, there’s no real transition. Like you say, that’s kind of when your brain can kind of change and shift gears. It’s, it’s a really strange creative shift for me right now.īrett Stanley: I bet because you’re so used to that drive home. So the drive is also kind of not there to get to it. Now it’s time to indulge in my costume making and sewing and fantasizing about the next photo shoot we’re going to put together. Have the separation of, all right, work is over. I feel like the shift for me now that like my work life and my home life are kind of the same thing.
Rachel Day: I kind of just have to echo Jessica there. I try to find things to do at home that fulfill that creative need. But, um, not being able to do the creative stuff I do on the weekends has really sort of tapped out my overall creative energy, even for my working job. Jessica Dru: well, working from home has been a huge adjustment and that’s fine. Um, but my questioning around that is, is how is it affecting you guys? Cause you’re creative people, you’re in creative industries, um, you know, not just remodeling and costume making, but you guys have, you know, creative day jobs as well. I do have this because of, you know, it’s affecting everyone. So we’re kind of going through this whole covert thing and it’s then it’s a thread that is going through pretty much every episode. I love what you’re doing with this.īrett Stanley: It’s a lot of fun and I’m getting to speak to some really awesome people and you know, I’m learning a lot just from doing this podcast, which is the very selfish reason that I started the whole thing. rachel and Jessica, welcome to the podcast. We talk about their entry into underwater modeling, how important the safety and communication is and the best fabrics to use if you want to get that all important under water flow. Jess and Rachel used their modeling as a distraction from their careers in the video game industry, and they regularly team up with other talented people to create amazingly detailed fantasy photo-shoots. In today’s episode of the underwater podcast, I’m speaking with Rachel Day and Jessica drew to underwater models and fantasy costumers that I’ve had the pleasure of working with over the past few years. We talk about their entry into underwater modeling, how important safety and communication is and the best fabrics to use if you want to get that all important under water flow. Jess and Rachel used their modeling as a distraction from the careers.
To underwater models and fantasy costumers that I’ve had the pleasure of working with over the past few years. In today’s episode of the underwater podcast, I’m speaking with Rachel Day and Jessica drew. We talk about their entry into underwater modeling, how important safety and communication is and the best fabrics to use if you want to get that all important under waterflow, let’s jump in. They regularly team up with other talented people to create amazingly detailed fantasy photo-shoots. Brett Stanley: In today’s episode of the underwater podcast, I’m speaking with Rachel Day and Jessica drew to underwater models and fantasy costumers that I’ve had the pleasure of working with over the past few years, Jess and Rachel used their modeling as a distraction from their careers in the video game industry.
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